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The rabbit got out of the cylinder to show us the banality of evil. It tells us a story in three acts about the origin of power, playing with colored paper cut-out shapes.
The performance is based on interaction design and video mapping. The sounds are generated live, according to the color of all the paper objects that are shown to the camera, which frames the white belly of the rabbit. Each color is associated with a sound that is emitted and modulated by the synthesizer, according to the movement of the hands. The colors, once "activated", also launch graphic animations, which are projected on the white rabbit mask suspended in the air.
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