It is part of a triptych and holds the central position between 'Shut up and ACULTY' and 'Fukushima'. After painting it, in fact, April 20, 2011 I get a link to an article about the Japanese cherry blossom ... despite everything. Remained ice and taken from an empathic distress in solidarity with a people upset, I put a white cloth between the two and I painted with the Fujiyama giliegi feet. Combining the three pictures you get a single panel.
The radioactivity can be seen in the form of tiny glitter.