Artworks / Crux Desperationis

As a superimposition of limits, the prospective view stands in a Da Vincian way
as a "prospective of news". Brought in the front and deprived of its objectiveness,
the background becomes a "visual product" that unravels the space and subjects interacting
with it. The space and the view have uninterpretable shapes that consequently render that we
know as bounded experience uninterpretable. The space is no more a Kantian category, but a
conceptual loss category. The visual object undergoes a decontruction reflecting its effects
upon both the inner meaning of the object itself and the metaphorical meaning spread around.

Being dematerialized and enlarged, the object is furthermore"censored", in order to eradicate
the censorial acts sure (and thus limited) judgments operate on the matter.