Text by Silvia Piras
The ranks of a rigid moral binomial childhood has always been proposed as an enchanted place, a playground of a ruthless silence, in which the property is exposed to evil as the sacrificial lamb, white souls as meat to the wind in the dark wood of the world. Plasfena is not the resolution of the clash between good and evil, is not the closed end of a fairy tale, but the story of the search for a possible salvation.
The pain is not explained by anxiety showcase, Head of honor to the development of a happy ending is the measure of time of a progressive self-awareness. The children are accompanied by actors to transcend the fixity of their role towards a new and strange salvation, which is a hybrid of angels and demons of its own, encountered and addressed, tamed and made itself, beyond the immediate families and the commingling of horror.
Escaping to the realm of the a-priori opens fertile the (non) place of possibility. Salvation is not shown here, as shown is not the enemy. Remains an air suspension that binds to the interweaving of the threads in the act of the actors, actors become aware of a path, however solitary and intimately shared, the building of the life that saved souls.
The first solo exhibition of Rossana Corti be on stage from October 23, 2009 from 19 hours in Gallery Espace S & P in via Savoia 19 in Cagliari, in the space occupied nearly forty years before the store of the shoe store as a man of his great-grandfather Aurelio Scano, exclusive brand Zenith for Sardinia.
A significant place for a show that wants to tell a personal reflection on the complex issue of the possibility of salvation, here and now.
The critical text is signed by Silvia Piras
The graphics are made by Danilo Caria
The exhibition will run from October 23, 2009 to November 07 2009
Tuesday to Sunday from 19 to 21