The Gallery Wikiarte
In 18 Via San Felice, Bologna
Is pleased to invite 15 September 2012 18:00
At the inauguration of the personal
Everything is a function of the movement, of a dynamic conception of the image that both jump, vertigo and revolution.
The particular technique used by Philip Guicciardi is the result of successive and progressive stages of assembly, composition proactive action that occurs in time and space of the work.
The image is left free to move along with imaginative and creative visionary observer, which plays a key role not inferior, but parallel and equal to that of the artist in the design aesthetics as well as the formal completion of the work.
There is a chronological measurable, each landmark drowns and loses himself in the flow of a continuous dynamism which recounts the deeds of a passage without beginning and without end ... (Alberto Gross)
The image is written poetry, it is dark, or diverted, or bewitched, or the three things together.
There is a reinvention of the genre in which coexist and overlap Gothic fairy, black humor and deep melancholy and disenchanted abysmal.
The whole work of Glenda Tinti said the torment of emotional strength, a fantasy world that goes beyond the real to hold on to the ends of a blast from the language difficult, edgy, a machine that produces comic forms, clumsy and cruel.
The first floor, the still image is presented to us has nothing synchronic, of momentary: the contrary is the result of a continuing of which we know neither the first nor the next, but we discover the secret without betraying the surprise .. (Alberto Gross)
As positive to the negative, photography keeps alive the memory of a verbal image: every picture that distinguished all objects revolves within the unity of their language.
With his visions portioned segmented, fragmented, Martina Buzio gives us the opportunity to document in a new way the phenomenal perception of reality, to increase their knowledge correcting errors.
The image imprinted within the space retinal is converted into sequence, plays the immaterial / invisible bringing back the idea ... (Alberto Gross)
The form is an emergence from the void, a subject which becomes extroverted energy, centrifugal force that explodes from within the magma universal.
The manifestation of the proceeds in parallel with a vivid creative epiphany: the entire work of Maurizio Virgili stands as birth, moves to the redemption of a creation that calls for a start and an indication of excess of current understood and practiced as a posthumous idea, weighed down by the burden of the tragedy.
And it is under the mask of tragedy that the artist - from time to time - changes and reverses the perspective, flows out the drama in the circularity of the cyclic return ... (Alberto Gross)
Presentation by the critic Alberto Gross
15 to 27 September 2012
Tuesday to Saturday from 11.00 to 19.00 all day
Sunday and Monday closed.