The Gallery Wikiarte
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, October 27, 2012 18:00
At the inauguration of the personal
Doing photography means making a continuing review of all the values R03;R03;of visual knowledge: it is writing in the form of light that uses a channel sensitive to the vagaries of weather, optical reflections, forms in free movement in space. Know that through domestication - that car - means the work of Giulio Limongelli, let accompany and help in the recognition of their own visual world, a poetic modulation in which the image is direct contact of the idea. The photo of the artist - that does not seem to have lost some practice technique, literally "artisan" in the construction and production of the press - keep intact the two main faculties belonging to the vision: to observe, to determine the truth, along with the unknown deception and illusion.
His landscapes as reflections create new forms, inconsistent, produced in the fascination of a look that reflects a temporary registration perceptive and never repeated.
What you see is not the things, the objects, but the light that pervades the lives makes checking them in an imaginary suspended, out of any classes of place or time. The narrative rhythm in paintings by Beppe Pellandra, is reset by a sort of allegorical immobility in which the image is no longer the reality represented, but the set of possible representations. The appearance of three-dimensional guaranteed by consciously and well structured systems perspective is overturned and contradicted by the space shrinks - narrow - around the foreground image, the eye is then besieged by un'impraticabilità of perspective flight in search of a horizon visual imaginable, trying to break through and beyond the natural scenery closed as a dramatic background. In this sense, Pellandra seems to be unrealistic, but almost visionary naturalist, offering the challenge of an imagination that elevates the magnetic image trascendendone daily unity, and form.
The picture is the space in which everything becomes simultaneously: the synthesis of the image - as a formal principle - is switched to the structure of the unit, marked and built by the various moments of the work.
The production of Mario Frattura seems to proceed in the direction of a progressive appropriation of the original meaning of the matter, and concluded universe - at the same time - multiverse infinitely divisible.
The form defines its own scope on the basis of a hypothesis is exceeded and deformation of the visual language where converge matter, visual manifestation irrational concept and nature itself becomes a category of thought and expression of soggettività.Si is visible as it comes from the world imaginable, to enclose within a defined space that lives and feeds on an "elsewhere" continued and absolute.
The figure, the image that is presented to us loses its stability in its continued chasing and sfuggirsi: incessantly every sign, every line, every ball of color appear and disappear, leaving imprinted visual idea as a dynamic sensation.
The paintings of Alessandro Grazi seem sequential frames of a single cosmic explosion after which the forms multiply, follow each other in a vibrant deformation that follows the laws of an augmented reality, distorted in its principles of measurement of space.
Forte - obviously - a practiced experience from the graph, the artist goes beyond the lie of design "classic" through its own peculiar visual power, creating a language that reflects the strength of the electric sign in the complication of color.
Presentation by the critic Alberto Gross
from 27 October to 8 November 2012
from Wednesday to Saturday from 11.00 to 19.00 all day
Sunday and Tuesday from 15.00 to 19.00
Closed on Mondays.