http://goyo-vigil.blFELIPE ALARCÓN ECHENIQUFELIPE ALARCÓN ECHENIQUE / BETWEEN THE DAWN AND THE HAVANA NIGHT drunk
He says the Spanish-Cuban ALARCÓN he flies through his creative work, and thanks to the impulses of their inspiration seized through the ocean to La Habana, fable and myth that accept no dropouts. That gravitates around the nexus of practice and emerging plastic effluvium a refined sense of craft, a vocation and a power inventor and experimenter.
In his work and fit an entire collection of techniques and series-oil, etching, acrylic, digital, drawings, prints, etc. - Of grammar and syntax, uncertainties and reflections on the experience. Are, first, snapshots of their experiences Havana, built in the eyes of his son, magical artifice by which we can observe them through their eyes. Thus, past, present and future form a fantastic symbiosis.
Furthermore, the Mona Lisa is the genius that flows or drainage issues as a custodian of a secret, which in its collation attract us to it without violating the mechanism of the occult. FELIPE's revelations are comprehensive, therefore, about origins until today, as if he, in undertaking such an adventure, I had this desire to call in the predetermination of synthesizing iconographic legacy, the thrill of universal links, without losing sight of some references that are their own, rooted in the depths of the island texture.
Therefore, white and black of some of his images mark the text are no longer returning as a story and a melody in chiaroscuro. The color, however, are like tips of stars that mark, identify, reveal and enable cross-linking catalyst in the skin wants to be covered by a smoke and a lancet, the poet would say Lezama.
What is it that can stand, then, a task that each day has more courage, more imaginary that reach more systems that develop, most revolting on which to build an enlightened ideology of omens, echoes of humanity with to renew guidelines, forms, joint visions?
For it may be emphasized that Moore said, about having its own vitality, the energy that transcends, that goes beyond what it represents, which is the geodesic spiral never ends, which articulates the magnitude of an aesthetic handbook dignified and in keeping with its history and spirit of his time.
In a land of prisoners painted
who raise a shield with a pink powder and tinned,
where no house can be accessed
because all numbers are always deleted.
In the first house we've played
the number in our back was noted.
(José Lezama Lima).
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