Alessandra Pala

My works are often complaints of humanistic and ecological background to the series of panels as "Gaia" which describes a land razed and now unnatural, almost abandoned to herself and dominated by the sky shows its appearance again (almost) natural and for this reason returns to the eye at least a faint hope of future life. Philosophy to work and to emphasize the boundless space of the sky already relegated obviously using the framework, the panels are not and must not be framed.

My works are often complaints of humanistic and ecological background to the series of panels as "Gaia" which describes a land razed and now unnatural, almost abandoned to herself and dominated by the sky shows its appearance again (almost) natural and for this reason returns to the eye at least a faint hope of future life. Philosophy to work and to emphasize the boundless space of the sky already relegated obviously using the framework, the panels are not and must not be framed.

Deepwater Horizon... thank you.

It is part of a triptych and holds the central position between 'Shut up and ACULTY' and 'Fukushima'. After painting it, in fact, April 20, 2011 I get a link to an article about the Japanese cherry blossom ... despite everything. Remained ice and taken from an empathic distress in solidarity with a people upset, I put a white cloth between the two and I painted with the Fujiyama giliegi feet. Combining the three pictures you get a single panel.
The radioactivity can be seen in the form of tiny glitter.

the time will come when everything will be forgotten and everything will be ready to be reborn

light and hope in times of disaster

shhhh

Always Gaia series. Despite the man trying to take possession of the proceeds nature take its course. Undaunted trial and error to survive. For now, again, make it.

self-portrait

SS. Trinità di Saccargia _ Pisan Romanesque Churc - Codrongianos Sardegna Italia