Carlo Colli

Post 5060 is part of a series of paintings on paper that is folded, as fragile as precarious, contained in specific packaging, generated by the principle of "return to form the pattern that created it" and invite you to rethink and to investigate possible relationships that exist between the two-dimensional world and the solid world we see and the precariousness of the same intended result as a reflection on contemporary nomadism that increasingly characterizes the lives of people and things. Black and white, respectively generated by theoretical principles subtractive and additive, as a nutshell of a color that reveals traces of a painting from which leaked the identity of the hand that has applied.
To view my work, the series or the packaging of the Post, visit my page or click: www.carlocolli.blogspot.com

Post 5956,2011, smalto acrilico su carta (piegata),
cm70x70, packaging in cartone cm25x41x7

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 6159, 2011, smalto acrilico su carta (piegata),
cm70x70, packaging in cartone cm33x45x7

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

"light" this that you see is this that it is.

"post (out of record #12)" is painted on white rough/coarse paper with glazed acrylic enamel. It consists of some small holes, that are laminated along the edges. When folded, it is contained in a white paper envelope, measuring 25x20cm.

Una impercettibile alterazione della “distanza” può cambiare il senso delle cose. Il suo contrario è unione e, se ci si pensa bene, evoca quel senso di appartenenza ad un gruppo che non sempre è fonte di positività, in quanto può anche determinare di conseguenza sentimenti quali l'odio e l'intolleranza verso qualcosa. La presenza virtuale della distanza generata dal tratto d'unione (underscore) coniuga e altera il significato mostrando una realtà che non sempre appare come la vediamo o come la intendiamo.

Post 6156, 2011, smalto acrilico su carta (piegata),
cm61x60, packaging in cartone cm29x21x5

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 7069, 2010, smalto acrilico su carta (piegata),
cm70x70, packaging in cartone cm46x43x3

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 5049, 2011, smalto acrilico su carta (piegata),
cm50x50, packaging in cartone cm30x30x5

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 9089, 2011, smalto acrilico su carta (piegata),
cm90x90, packaging in cartone cm40x25x7

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 9088, 2011, smalto acrilico su carta (piegata),
cm90x90, packaging in cartone cm40x25x7

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 4549, 2011, smalto acrilico su carta (piegata),
cm50x50, packaging in cartone cm35x35x3

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 4949, 2011, smalto acrilico su carta (piegata),
cm50x50, packaging in cartone cm25x20x3

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 6056, 2011, smalto acrilico su carta (piegata),
cm61x60, packaging in cartone cm29x33x5

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.

Post 7066, 2011, smalto acrilico su carta (piegata),
cm70x70, packaging in cartone cm33x33x7

The artist focuses his research more on the process than on the form. By folding paper he reduces the dimension and gives back to the shape, through the painting language, the drawing that had created it. This process draws our attention to the changing meaning of precariousness and the consequent nomadism
belonging to our time and space.