Emmanuele Panzarini

Japan, Kyoto 35.050092, 135.767180

The artwork presented is part of the photographic project "VISIONS FROM THE FUTURE".

Using a mobile phone to capture the structural fragments that are used as modular systems give rise to new forms, geometric compositions, futuristic buildings, future visions.
The technical choice of printing directly onto plates of aluminum is the core of the project; the support it not only serves as a simple frame for the image, but the intermingling of photography with the matter is the result of the interplay of light and dark gray.

Bilbao + 43°15’56.87’’ - 2°56’14.37’’
Gijón + 43°32’55.23’’ - 5°39’56.28’’
The diptych presented is part of the photographic project "BLUE SKY PROJECT".

Signs, symbols and forms of urban landscape and architecture. Cities designed from the center, at the opposite of their margin, from their contour, or from their surroundings. Is what represents, through the use of a cell phone, Panzarini Emmanuele, a Paduan young photographer, who has ventured to capture several cities in Spain, by investigating the character and architectural elements that distinguish them.

In Bilbao the Forest of street lamps - Bosque de las Farolas - of the Basque artist Juan Luis Moraz: installation (?) of the renovated Museum of Fine Arts, where the street lamps are as many sentinels that scrutinize the horizon, or the infinite worlds in which grow relationships, but also possible forms of a story.
It seems to be his counterpoint in Gijón a "theory" of oth







..

Valencia + 39°27’18.76’’ - 0°21’14.08’’
Barcelona + 41°22’34.23’’ + 2°10’57.46’’
The diptych presented is part of the photographic project "BLUE SKY PROJECT".

Signs, symbols and forms of urban landscape and architecture. Cities designed from the center, at the opposite of their margin, from their contour, or from their surroundings. Is what represents, through the use of a cell phone, Panzarini Emmanuele, a Paduan young photographer, who has ventured to capture several cities in Spain, by investigating the character and architectural elements that distinguish them.

In Valencia at the City of Arts and Sciences, the author has photographed the Umbracle, the public garden designed by architect Santiago Calatrava, representing it through lines and forms in which soft blue colors stand out. These elements, which structure a settlement by which "read" the signs and forms that can convey style and design, human creativity and its relationshi






..

Valencia + 39°27’18.76’’ - 0°21’14.08’’
Barcelona + 41°22’34.23’’ + 2°10’57.46’’
The diptych presented is part of the photographic project "BLUE SKY PROJECT".

Signs, symbols and forms of urban landscape and architecture. Cities designed from the center, at the opposite of their margin, from their contour, or from their surroundings. Is what represents, through the use of a cell phone, Panzarini Emmanuele, a Paduan young photographer, who has ventured to capture several cities in Spain, by investigating the character and architectural elements that distinguish them.

In Valencia at the City of Arts and Sciences, the author has photographed the Umbracle, the public garden designed by architect Santiago Calatrava, representing it through lines and forms in which soft blue colors stand out. These elements, which structure a settlement by which "read" the signs and forms that can convey style and design, human creativity and its relationshi






..

Bilbao + 43°15’56.87’’ - 2°56’14.37’’
Gijón + 43°32’55.23’’ - 5°39’56.28’’
The diptych presented is part of the photographic project "BLUE SKY PROJECT".

Signs, symbols and forms of urban landscape and architecture. Cities designed from the center, at the opposite of their margin, from their contour, or from their surroundings. Is what represents, through the use of a cell phone, Panzarini Emmanuele, a Paduan young photographer, who has ventured to capture several cities in Spain, by investigating the character and architectural elements that distinguish them.

In Bilbao the Forest of street lamps - Bosque de las Farolas - of the Basque artist Juan Luis Moraz: installation (?) of the renovated Museum of Fine Arts, where the street lamps are as many sentinels that scrutinize the horizon, or the infinite worlds in which grow relationships, but also possible forms of a story.
It seems to be his counterpoint in Gijón a "theory" of oth







..

Bilbao + 43°15’56.92’’ - 2°55’44.03’’
Barcelona + 41°23’43.73’’ + 2°09’43.26’’
The diptych presented is part of the photographic project "BLUE SKY PROJECT".

The best camera is the one that's with you, every day. Photography does not reproduce reality, but gives his own interpretation of the world around us. Seizing a moment, stopping the time, leaving to others the subjective view of a fragment of life.

Blue Sky Project was born from the awareness that new technologies open up the possibility of imagining new creative paths. A trip to Spain, the simplicity of a moment, shots of the fleeting sky by the click of a cell phone.

www.blueskyproject.it