Installation, Other, Metal, 40 x 70 x 32 cm, 2012
Smitís reference to the end of the world can also be understood as an end of Ďthe-world-as-we-know-ití. His use of the same face repeated, once again repatriates original identity. Smitís work thus indicates this model crisis, this state of the accumulation of disorder, as the end of the individual - remodeled in the wake of global consumerism. Smitís work signifies identity and the human condition thus surpassing time and history.
This is an installation of +- 70 Heads that represents the human race.
The installation could still be done with less pieces.
Each piece is cast in Resin and Fiberglass and painted with automotive paint