In these times of easiness in the photography techniques, I find the strongest motivations in dedicating myself to charge with physicalness the already inherent uniqueness of the analogue image in B/W, searching for anything that an image is capable of evoking or recalling.
My belief is that in the imperfection folds of the image as well as of those of memories, there is space for our fantasies, our hopes and our aspirations for a different view of existence.
Asserting the uniqueness and refining the possible emotional variables of a photographic image, I claim my identity only because of the past, with the use of manual ability on the physical color drafting on the film.
The future is not ours and it does not describe us.
My intent in visual research is not to produce beautiful images confined within their boundaries, but to create evocative doors that one can open to thoughts and to a possible different processing of the time s..