The exercise explores the relationship between scale and beauty. Therefore, the artistic process has to be innovative because the aim is to anticipate the possibility of a beauty that happens at the subatomic level. Transformation of structure through applied force within a very confirmed unity of empty space in the sense of simulating collusion of matter has proved to be an efficient form of producing the beauty of making or performance. In an era of unification of cultural heritages or homogenization of life styles, it is right to aesthetically explore the possibilities of a beauty at a scale that reveals the similarity of all of us, humans, and this is based on functionalism of matter. Because at this scale most of the existential reality is yet unknown, the probability of style categorization in terms of art practice falls in between abstractionism, if the anticipation is not successful and realism if the process reveals the structural organization of subatomic particles. To some extent, the initial supposition is that, at this scale, multiple sub-particles may occupy the same space due to the geometry and structure of matter which is mostly empty and in the form of tessellated expandable grids.