The artist’s desire is not that of depicting objects and figures pertaining to the female world, but rather to increase the value of gender in its own role.

The choice and isolation of specific utensils, traditionally ascribed to women, are placed inside showcases allowing the viewer a private contemplation that bursts in the kind of worship belonging to the sacred relics’ vision.

The same devotion returns evident into female shapes sealed inside the glass jars which, like the showcases, preserve the human figure in detaching it from the surrounding physicality in order to lead it to an exalted sublimation.

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