Serie L`Éve future II
Fotografia Digitale, Censura, 53x70x4cm
"If our gods and hopes are nothing but techno-scientific phenomena, then we can say that our love is a ditto".
The self-object arises as a paradigm in which the thing becomes person and the person is objectified, serving us the female-male archetype.
The company projects its "sadistic" desire of women: the desired object as it is incapable of wanting her as a person, and so is the replacement becomes mannequin fetish: a metaphor mannequin fetish, which will incorporate maternal reminiscences in the fragment-collage breast, first food of life. The mannequin doll becomes to incorporate makeup on her cheek, as human figure doll natural size used to expose a hybridism between the sexes, not confronted, but united, becoming oblivious to other object. Without ignoring meant to be the representation of the last alo to violence.
Semiotic mechanism changes both as repetition, affect the function and position of the figures and their fragments, not uniquely determined. That within the system in which we not only humans, but also the objects are sold, this review is more necessary bitter - because it shows the level of violence that saturates the materialistic consumerism.
The image opens through dummies and reflection! Bare tree nature juxtaposes a rougher world mannequin naked - not the human body.
Like Pygmalion, we have required three aspects: belief, experience and encouraged the pursuit message.
The self-object arises as a paradigm in which the thing becomes person and the person is objectified, serving us the female-male archetype.
The company projects its "sadistic" desire of women: the desired object as it is incapable of wanting her as a person, and so is the replacement becomes mannequin fetish: a metaphor mannequin fetish, which will incorporate maternal reminiscences in the fragment-collage breast, first food of life. The mannequin doll becomes to incorporate makeup on her cheek, as human figure doll natural size used to expose a hybridism between the sexes, not confronted, but united, becoming oblivious to other object. Without ignoring meant to be the representation of the last alo to violence.
Semiotic mechanism changes both as repetition, affect the function and position of the figures and their fragments, not uniquely determined. That within the system in which we not only humans, but also the objects are sold, this review is more necessary bitter - because it shows the level of violence that saturates the materialistic consumerism.
The image opens through dummies and reflection! Bare tree nature juxtaposes a rougher world mannequin naked - not the human body.
Like Pygmalion, we have required three aspects: belief, experience and encouraged the pursuit message.
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