il Dio Denaro
The impersonation cynical and complacent of banking power, a bitter picture of the conditions that have led us to suffer from the current economic crisis
The speculation of the banks, with its financial models returns to a youth in search of solidarity and love nothing more than a city in flames and the wires from which it is operated.
The composition of cool colors that dominate warm colors is emblematic of the profound social significance of this work, for the hope that is perceived in the eyes of the two protagonists cross that the only future they aspire is a life together, held by almost imperceptible filaments a distance condition.
References to the replacement of our national currency with an unfavorable European exchange rate, covering the face and hands of this wily be metaphorical as a mask, the scapegoat. But the artist and the observer of this work they know well to distinguish the face behind the mask, the face we recognize as human greed, personal and social, the bitter feeling which held, literally, in this framework, under control institutions responsible to protect ourselves.
Again it speaks of us, in our hearts through the two boys, in our social through the city in revolt and diverted institutions and our darkest aspirations through the hypocritical social model that now controls our lives.
The speculation of the banks, with its financial models returns to a youth in search of solidarity and love nothing more than a city in flames and the wires from which it is operated.
The composition of cool colors that dominate warm colors is emblematic of the profound social significance of this work, for the hope that is perceived in the eyes of the two protagonists cross that the only future they aspire is a life together, held by almost imperceptible filaments a distance condition.
References to the replacement of our national currency with an unfavorable European exchange rate, covering the face and hands of this wily be metaphorical as a mask, the scapegoat. But the artist and the observer of this work they know well to distinguish the face behind the mask, the face we recognize as human greed, personal and social, the bitter feeling which held, literally, in this framework, under control institutions responsible to protect ourselves.
Again it speaks of us, in our hearts through the two boys, in our social through the city in revolt and diverted institutions and our darkest aspirations through the hypocritical social model that now controls our lives.
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