Exhibitions, Italy, Bologna, 26 May 2012
PRESS RELEASE
The Gallery Wikiarte
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, May 26, 2012 18:00
At the inauguration of the personal
RUBENS Fogacci
ANTONELLA Incorvaia
AIME'E
DAVID FOSCHI
The painting of Fogacci is the effect of a surprise, of something that lives and moves below the flat surface of the color, of a recomposition which proceeds by progressive intensifications of the figure. The future challenge will be to deliver such a pictorial heritage to serve a three-dimensional and "vividness" of forms, which do not dissipate the peculiar stylistic feature that draws from the bluntness and the natural ease painting their expressive power. Artist complicate the task of renewing the simplicity and clarity, facilitating reflection. (Alberto Gross)
Antonella Incorvaia was born in Catania in 1967. Start as a child playing with colors and paper and not with dolls as her peers. Thanks to his natural talent is involved in several art competitions with good results, winning several awards. Then you will also deal with theater as a set designer for a theater company in Switzerland. He currently lives in Switzerland and works in his studio, he exhibited in Switzerland and Italy.
Aimee was born in the province of Bologna in 1963.
She graduated from the Art School of Bologna, through family and existential vicissitudes overwhelming. The painting is undisciplined, inconsistent. More shelter and solace activities. From 1991 he began to exhibit drawings and charcoal, first at Bologna and then in Lugano, the Italian Academy. Since 1995 the gallery is present in Monte Carlo Pictural by Beaux-Arts. In October 2004 shows reserved "Intimate leapfrogging" in Bologna. Since 2009 he definitively abandoned the figurative genre classic, artistic production is intense and methodical. In 2011 participated in several group shows at the Art Club of Bologna. In February 2012 there is a BO-EXPO at Wikiarte Gallery and Art Fair of Genoa. In the most recent research by an intimate delicate artistic imperfection emerge melancholy reminiscences of 900. In a sweet dream disorder is the discovery of the warmth of a child not previously experienced. Essential to reverse the cage, view sheltered from which to watch a reality arrogant and left .. (Vladimir Cicognani)
Very abnormal, unusual, a plot of color exhibited in extreme synthesis, without restrictions, without any mediation: it is certainly a type of paint that is aimed at a practical user of alienation, of mixtures, which requires a total commitment, both emotionally and cerebral and - literally - metaphysical.
The entire artistic process of David Foschi is a hypothesis of space-time erosion, rupture and continuation of a logical consequentiality, subversion of every physical and spiritual.
The artist's painting is thick, segmented, returned through the possibility of further readings degrees, open pits along a textual fabric that rises and descends, a special dynamic vision "ultramobile" that lives of past and future at the same instant of this physical theater narrative.
There are stories in the paintings of Foschi, but fear, imbued with universal concepts of human spirituality and divine together.
The color is achieved and is multiplied in a series of introductory materials for a stage production: the double dimension of the framework is changed by progressive light beams that produce and project the image forever.
Precise mental images - complement each other - seen through a detailed example of construction and deconstruction of identity and physical color of the figure.
And it is exactly in the substrate of concretions and visions "otherworldly", in that collusion between hybridization and hallucinatory metamorphosis that takes the art of alchemical symbolism Foschi: Alchemy is all transformed, leading, disguises, introduces and sidetracks, changes of substance and splits, from a magma with a shiny background, with dark and clear.
The indeterminacy of asymmetric color becomes a special theme vocabulary, syncopated phrase could read between the lines of which the central character of an intimate, personal as well as collective and universal. And it is here - especially - which manufactures and develops a real sense of "sacred".
Starting from the decomposition and reconstruction of the primary color, the artist tends to deal with a type of liquid art, biomorphic, capable of change and change - every single look - the whole perception of the image.
There is constant or variant that takes: the idea is as dynamic changes even before the eye of the beholder than on the canvas where he lives, is a continued mutate, melt, a repetition of the movement is not self-contained, but modulated and volumetric dimensions that define their own space, perimetrandola, populating, and - finally, as in the beginning - disintegrandola.
Everything that moves the art of Davide Foschi seems to be a willingness to emergence, creation of light, an 'evolution has become all-encompassing movement that starts from the painting to reach the interior of the observer: ie paintings alchemical, transformative, capable take by the hand and carry the thought further, later, by the virtuosity of the frozen temporality property. (Alberto Gross)
Critics:
Presentation by the critic Albert Gross and Prof. Vittorio Riguzzi
Sponsorship
Emilia Romagna
Sponsored by:
www.virtualstudios.it
www.ilpensieroartistico.eu
www.aperitivoillustrato.it
www.fotodigitalservice.com
www.lavoriedilionline.it
Duration shows:
from May 26 to June 7, 2012
Wednesday to Saturday from 10.30 am to 19.00 pm
Tuesday and Sunday from 15.00 to 19.00
closed Mondays.
Free admission
Mail: info@wikiarte.com
Site: www.wikiarte.comAnnulla modifiche
The Gallery Wikiarte
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, May 26, 2012 18:00
At the inauguration of the personal
RUBENS Fogacci
ANTONELLA Incorvaia
AIME'E
DAVID FOSCHI
The painting of Fogacci is the effect of a surprise, of something that lives and moves below the flat surface of the color, of a recomposition which proceeds by progressive intensifications of the figure. The future challenge will be to deliver such a pictorial heritage to serve a three-dimensional and "vividness" of forms, which do not dissipate the peculiar stylistic feature that draws from the bluntness and the natural ease painting their expressive power. Artist complicate the task of renewing the simplicity and clarity, facilitating reflection. (Alberto Gross)
Antonella Incorvaia was born in Catania in 1967. Start as a child playing with colors and paper and not with dolls as her peers. Thanks to his natural talent is involved in several art competitions with good results, winning several awards. Then you will also deal with theater as a set designer for a theater company in Switzerland. He currently lives in Switzerland and works in his studio, he exhibited in Switzerland and Italy.
Aimee was born in the province of Bologna in 1963.
She graduated from the Art School of Bologna, through family and existential vicissitudes overwhelming. The painting is undisciplined, inconsistent. More shelter and solace activities. From 1991 he began to exhibit drawings and charcoal, first at Bologna and then in Lugano, the Italian Academy. Since 1995 the gallery is present in Monte Carlo Pictural by Beaux-Arts. In October 2004 shows reserved "Intimate leapfrogging" in Bologna. Since 2009 he definitively abandoned the figurative genre classic, artistic production is intense and methodical. In 2011 participated in several group shows at the Art Club of Bologna. In February 2012 there is a BO-EXPO at Wikiarte Gallery and Art Fair of Genoa. In the most recent research by an intimate delicate artistic imperfection emerge melancholy reminiscences of 900. In a sweet dream disorder is the discovery of the warmth of a child not previously experienced. Essential to reverse the cage, view sheltered from which to watch a reality arrogant and left .. (Vladimir Cicognani)
Very abnormal, unusual, a plot of color exhibited in extreme synthesis, without restrictions, without any mediation: it is certainly a type of paint that is aimed at a practical user of alienation, of mixtures, which requires a total commitment, both emotionally and cerebral and - literally - metaphysical.
The entire artistic process of David Foschi is a hypothesis of space-time erosion, rupture and continuation of a logical consequentiality, subversion of every physical and spiritual.
The artist's painting is thick, segmented, returned through the possibility of further readings degrees, open pits along a textual fabric that rises and descends, a special dynamic vision "ultramobile" that lives of past and future at the same instant of this physical theater narrative.
There are stories in the paintings of Foschi, but fear, imbued with universal concepts of human spirituality and divine together.
The color is achieved and is multiplied in a series of introductory materials for a stage production: the double dimension of the framework is changed by progressive light beams that produce and project the image forever.
Precise mental images - complement each other - seen through a detailed example of construction and deconstruction of identity and physical color of the figure.
And it is exactly in the substrate of concretions and visions "otherworldly", in that collusion between hybridization and hallucinatory metamorphosis that takes the art of alchemical symbolism Foschi: Alchemy is all transformed, leading, disguises, introduces and sidetracks, changes of substance and splits, from a magma with a shiny background, with dark and clear.
The indeterminacy of asymmetric color becomes a special theme vocabulary, syncopated phrase could read between the lines of which the central character of an intimate, personal as well as collective and universal. And it is here - especially - which manufactures and develops a real sense of "sacred".
Starting from the decomposition and reconstruction of the primary color, the artist tends to deal with a type of liquid art, biomorphic, capable of change and change - every single look - the whole perception of the image.
There is constant or variant that takes: the idea is as dynamic changes even before the eye of the beholder than on the canvas where he lives, is a continued mutate, melt, a repetition of the movement is not self-contained, but modulated and volumetric dimensions that define their own space, perimetrandola, populating, and - finally, as in the beginning - disintegrandola.
Everything that moves the art of Davide Foschi seems to be a willingness to emergence, creation of light, an 'evolution has become all-encompassing movement that starts from the painting to reach the interior of the observer: ie paintings alchemical, transformative, capable take by the hand and carry the thought further, later, by the virtuosity of the frozen temporality property. (Alberto Gross)
Critics:
Presentation by the critic Albert Gross and Prof. Vittorio Riguzzi
Sponsorship
Emilia Romagna
Sponsored by:
www.virtualstudios.it
www.ilpensieroartistico.eu
www.aperitivoillustrato.it
www.fotodigitalservice.com
www.lavoriedilionline.it
Duration shows:
from May 26 to June 7, 2012
Wednesday to Saturday from 10.30 am to 19.00 pm
Tuesday and Sunday from 15.00 to 19.00
closed Mondays.
Free admission
Mail: info@wikiarte.com
Site: www.wikiarte.comAnnulla modifiche
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