Exhibitions, Italy, Bologna, 08 December 2012
The Gallery Wikiarte
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, December 8, 2012 18:00
At the opening of the exhibition
"CHRISTMAS EXHIBITION"
Show overlapping situations, such as multiple voices and presences experience prepared the vision, the particular dream of perception. An exhibition that arises itself - in the unfolding of their ideal visual journey - as a single, whole piece of art: a parade of thirteen artists such as comets, each with its own train of meravigliante mystery and wonder, to give us reason of a seduction narrative from extreme tactility and multiple levels of interpretation.
The artistic language becomes liquid, each formulation slides or climbs on a different rung of contemporary aesthetics: the visitor is continually solicited from a plethora of ideas and suggestions expressed through the best ways away, but so close together happily.
Harmonic lines and sinuous dancers painted by Angela Bertoloni, made vivid by a luminous which retains strength without lose its delicacy, it comes with ease to almost metaphysical paintings of Aldo Claudio Medorini, surface material / color suspended in size of a tank, dotted with signs such as emotional codes that exceed the inaccessibility of thought nell'icasticità image.
From an explosive expression of colors raging, voracious self-perpetuating the work of Carla Melis, images in which it becomes indistinguishable line between form and motion - centripetal and centrifugal at the same time - in a whirling vortex in which the thought bouncing directly in image. With the use of the technique of collage - by nature omnivorous and all-encompassing - Maximum himself became a sort of essence immanent in the contemporary time, a special observatory from which catalogarne and take stock of the taste, see the momentary change in continuing and vice versa. The sculpture by Mauro seems to be small and occur as a category of thought: the mythology - as a collective history, narrative level - becomes myth-making, building individual and intuitive interface that goes from the horizontal to the vertical axis of the narrative of the vision.
The strength of magmatic and subversive work of Liliana Santandrea puts us in direct relationship with the inner soul of the matter: a dimension built from fragments of color, image fragments crumbled eternal conflict between man and nature. Using the same universal language, Angelo Mancino seems to anticipate future scenarios and apocalyptic, in a superposition of terrestrial and lunar influences to define the displacement of a stage alienated and alienating.
If Cecilia Piersigilli prefer nudity in which timely and measured is the study of proportions and harmony of the body in the aura personal interpretation of femininity, Gian Piero Romano offers close-ups of the lines and contours cut in a happy mixture of taste pop and swirling suggestions optical. And yet Mauro Pellizzi founded his own research sull'incombenza of detail: the sculptural object becomes an authentic pictorial synecdoche, in which the particular is made through symbol and the surrounding area.
In reverse colors, in unstable geometries of its architecture imaginative, Patrick Goose carries the everyday world in a fairytale dimension: whether modulated possible variants, for a theatrical run from the countless transformations and metamorphoses. In his pictorial proceed, Patrizia Borrelli seems to overlap the other hand the study of classic proportion to search for a sort of "soul form" through which translate visually - almost like an alphabet sentimental - the human interiority.
Compositions and assemblages of Amir Tasami, in the joints of pure geometric forms, the idea of the figure automatic robotic and mechanical riattualizzano - reinventing - procedures that are in common pataphysics historical roots, bringing back to confrontation and closely related to imaginary solutions and the laws governing exceptions.
Alberto Gross
Criticism:
Presentation by the critic Alberto Gross
Catalog:
available in Gallery € .10,00
Patronage
Emilia Romagna
Sponsored by:
www.virtualstudios.it
www.fotodigitalservice.com
www.lavoriedilionline.it
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
The exhibition runs:
8 to 29 December 2012
from Wednesday to Saturday from 11.00 to 19.00 all day
Sunday and Tuesday from 15.00 to 19.00
Closed on Mondays.
Input:
free
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, December 8, 2012 18:00
At the opening of the exhibition
"CHRISTMAS EXHIBITION"
Show overlapping situations, such as multiple voices and presences experience prepared the vision, the particular dream of perception. An exhibition that arises itself - in the unfolding of their ideal visual journey - as a single, whole piece of art: a parade of thirteen artists such as comets, each with its own train of meravigliante mystery and wonder, to give us reason of a seduction narrative from extreme tactility and multiple levels of interpretation.
The artistic language becomes liquid, each formulation slides or climbs on a different rung of contemporary aesthetics: the visitor is continually solicited from a plethora of ideas and suggestions expressed through the best ways away, but so close together happily.
Harmonic lines and sinuous dancers painted by Angela Bertoloni, made vivid by a luminous which retains strength without lose its delicacy, it comes with ease to almost metaphysical paintings of Aldo Claudio Medorini, surface material / color suspended in size of a tank, dotted with signs such as emotional codes that exceed the inaccessibility of thought nell'icasticità image.
From an explosive expression of colors raging, voracious self-perpetuating the work of Carla Melis, images in which it becomes indistinguishable line between form and motion - centripetal and centrifugal at the same time - in a whirling vortex in which the thought bouncing directly in image. With the use of the technique of collage - by nature omnivorous and all-encompassing - Maximum himself became a sort of essence immanent in the contemporary time, a special observatory from which catalogarne and take stock of the taste, see the momentary change in continuing and vice versa. The sculpture by Mauro seems to be small and occur as a category of thought: the mythology - as a collective history, narrative level - becomes myth-making, building individual and intuitive interface that goes from the horizontal to the vertical axis of the narrative of the vision.
The strength of magmatic and subversive work of Liliana Santandrea puts us in direct relationship with the inner soul of the matter: a dimension built from fragments of color, image fragments crumbled eternal conflict between man and nature. Using the same universal language, Angelo Mancino seems to anticipate future scenarios and apocalyptic, in a superposition of terrestrial and lunar influences to define the displacement of a stage alienated and alienating.
If Cecilia Piersigilli prefer nudity in which timely and measured is the study of proportions and harmony of the body in the aura personal interpretation of femininity, Gian Piero Romano offers close-ups of the lines and contours cut in a happy mixture of taste pop and swirling suggestions optical. And yet Mauro Pellizzi founded his own research sull'incombenza of detail: the sculptural object becomes an authentic pictorial synecdoche, in which the particular is made through symbol and the surrounding area.
In reverse colors, in unstable geometries of its architecture imaginative, Patrick Goose carries the everyday world in a fairytale dimension: whether modulated possible variants, for a theatrical run from the countless transformations and metamorphoses. In his pictorial proceed, Patrizia Borrelli seems to overlap the other hand the study of classic proportion to search for a sort of "soul form" through which translate visually - almost like an alphabet sentimental - the human interiority.
Compositions and assemblages of Amir Tasami, in the joints of pure geometric forms, the idea of the figure automatic robotic and mechanical riattualizzano - reinventing - procedures that are in common pataphysics historical roots, bringing back to confrontation and closely related to imaginary solutions and the laws governing exceptions.
Alberto Gross
Criticism:
Presentation by the critic Alberto Gross
Catalog:
available in Gallery € .10,00
Patronage
Emilia Romagna
Sponsored by:
www.virtualstudios.it
www.fotodigitalservice.com
www.lavoriedilionline.it
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
The exhibition runs:
8 to 29 December 2012
from Wednesday to Saturday from 11.00 to 19.00 all day
Sunday and Tuesday from 15.00 to 19.00
Closed on Mondays.
Input:
free
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
Comments 5
Say something