Exhibitions, Italy, Bologna, 25 May 2013
The Gallery Wikiarte
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, May 25, 2013 18:00
At the inauguration of the personal
DANILO SUSI and ALBANO Paolinelli
GIULIO LIMONGELLI
SAURO BENASSI
ANTONELLA INCORVAIA
Power of the image is to isolate the space constructing points of view of course artificial. In such oxymoronic statement - only apparently paradoxical - resides plurivocity semantics, even before aesthetics of photography Danilo Susi.
The testing of a visionary prone to distortion chromatic and formal nature it surpasses the revelation in a kind of artistic Prometheanism practiced in terms of a poetics of proliferating.
The photograph of Susi instead of holding the image, freezing it, allows it to flow, becoming, continually transformed before our our eyes: the perpetual metamorphosis produces a singular short-circuit between unawareness of the nature and evidence of innocence without ransom .
The detail, the fragment stolen meaningless universe and become the protagonist highlights the all-encompassing ability of photography: a liquidity uninterrupted water-based paint that becomes consumed in the light, in the ability of the image to go beyond their starting point, producing a reality beyond the reality itself.
Seems to move in similar directions the work of Albano Paolinelli tense expansion and progressive appropriamento authentic space: the visual experience is produced in a transitive dimension, in relation to something that may overlap and be confused with the world itself.
The extent of the image is expanded in the multiplication of points of view, his gaze is focused in the immersion of a material that becomes virtual only at the moment when it detaches from reality, sublimating.
The particular shape coincides with the whole picture: assemblages of dissections that generate a special punctum empathetic, dynamic conception of a contemporary "abstract realism".
In such configurations disperse the common coordinate, crumbles the boundary within which dimension the experience, all bursts in an area of additional space, in fracture with each type of static view and in the direction of new possibilities figurative.
Be prepared to work Sauro Benassi means taking a fight and imaginative illusion that reveals secrets without betraying his surprise.
In the color cast from scratches wounds of space, in the slapping of liquid material cut from the light, you can see the special relationship enjoyed with the pure and primitive intuition of the spirit remains and insists a particular desire to move, overly emphasized and reaffirmed by the term "Darshan", a word-driving and last fount of the entire production Benassi.
The Sanskrit root of the lemma encompasses multiple meanings, generally related to the sphere of vision, the revelation, revelation; Hindu theologies are also games from that suggestion to create an entire system theoretical result of different points of view.
Benassi tends to almost draw a parallel and overlapping identity between himself and his source of inspiration, an artist / darshan, hybrid form and mystery that recovers and recreates fragments of visionary evanescent and metamorphic rocks.
The result is that color impressions can be traced back to the universe Earth as much as to the heavenly sections of unicellular microorganisms as well as views of fractals lost in space.
What remains is the total renunciation of the ordinary in the need for other forms of the infinite.
Do photography means making a continuing review of all the values of visual knowledge: writing is in the form of light that uses a means sensitive to the vagaries of weather, optical reflections, forms in free movement in space.
Knowing that through tame - that car - it means, the work of Giulio Limongelli, let accompany and assist in the recognition of its own visual world, a poetic modulation in which the image is direct contact of the idea.
The photo of the artist - that does not seem to have lost some practice technique, literally "artisan" in the construction and production of the press - keep intact the two main faculties belonging to the vision: to observe, verify the reality, along with the unknown deception and illusion.
His landscapes as reflections create new forms, inconsistent, produced in the fascination of a look that reflects a momentary recording perceptive and never repeated.
The similarity of light with light, its draw shapes by contrast, by default, going to waste optical transforms the appearance of nature in a renewed visual knowledge: the lying landscapes in black and white - never silent and motionless - as well as the details, the details of combinations of objects create aesthetic resonances, in the direction of a language that rewrites the appearance of the invisible and get used to the visible imagery.
The measured time of waiting, the space left within which the viewer to perceive the optical construction of the artist and modulate it according to his or her personal capacity synthetic form of photography Limongelli idea catalyst of ideas, paradigm of endless metamorphosis.
The logic of the composition precedence above all else, the choice of the image - apparently simple - conceals strict attention to the balance of forms in space.
On this premise seems to stand painting Antonella Incorvaia, which disappears within the hierarchy of values among the various elements of the representation: if the cuts of set or close-ups tell us the principle of the action that is about to happen, the backgrounds, "scenes" of the framework will complement the narrative taking - in fact - of equal importance of the protagonists.
This is a research line, shape and color of the painting that becomes absolute principle: the space - saturated and released at the same time - is a real expressive figure, a veritable visual language.
It is here, in particular, that you can see the second of the central themes that inform the artist's poetics: the story. Every picture, every face, every situation becomes a pretext narrative, almost the first reference from which to develop and complete power then - amplifying the mental dimension - the deeper meaning.
The artist leads us through an itinerary of places that recall fragrances and flavors, faces as snapshots of a cinematic story crossed by the time "inside" of the narrative, as well as from the "outside" historical and diachronic.
An ideal geographical location even before the mind, in which Antonella Incorvaia turns out - from time to time - new variations and unusual modulations.
The painting in his native literally becomes a stimulus of suggestions, evokes memories rekindled by a kind of universal memory, both personal and collective leads to even synesthesia, the moment you hear the sound of the color, the image speaking of which the visual appearance is only one of different and more ways to enjoy the painting.
The journey gives us time and time remains.
Alberto Gross
Critique:
Presentation by Alberto Gross Critic
Sponsored by:
www.virtualstudios.it
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
www.lavoriedilionline.it
Duration of exhibition:
from May 25 to June 6, 2013
from Tuesday to Saturday from 11.00 am to 19.00 pm
Sunday and Monday closed.
Free admission
Mail: info@wikiarte.com
Site: www.wikiarte.com
In 18 Via San Felice, Bologna
Is pleased to invite you Saturday, May 25, 2013 18:00
At the inauguration of the personal
DANILO SUSI and ALBANO Paolinelli
GIULIO LIMONGELLI
SAURO BENASSI
ANTONELLA INCORVAIA
Power of the image is to isolate the space constructing points of view of course artificial. In such oxymoronic statement - only apparently paradoxical - resides plurivocity semantics, even before aesthetics of photography Danilo Susi.
The testing of a visionary prone to distortion chromatic and formal nature it surpasses the revelation in a kind of artistic Prometheanism practiced in terms of a poetics of proliferating.
The photograph of Susi instead of holding the image, freezing it, allows it to flow, becoming, continually transformed before our our eyes: the perpetual metamorphosis produces a singular short-circuit between unawareness of the nature and evidence of innocence without ransom .
The detail, the fragment stolen meaningless universe and become the protagonist highlights the all-encompassing ability of photography: a liquidity uninterrupted water-based paint that becomes consumed in the light, in the ability of the image to go beyond their starting point, producing a reality beyond the reality itself.
Seems to move in similar directions the work of Albano Paolinelli tense expansion and progressive appropriamento authentic space: the visual experience is produced in a transitive dimension, in relation to something that may overlap and be confused with the world itself.
The extent of the image is expanded in the multiplication of points of view, his gaze is focused in the immersion of a material that becomes virtual only at the moment when it detaches from reality, sublimating.
The particular shape coincides with the whole picture: assemblages of dissections that generate a special punctum empathetic, dynamic conception of a contemporary "abstract realism".
In such configurations disperse the common coordinate, crumbles the boundary within which dimension the experience, all bursts in an area of additional space, in fracture with each type of static view and in the direction of new possibilities figurative.
Be prepared to work Sauro Benassi means taking a fight and imaginative illusion that reveals secrets without betraying his surprise.
In the color cast from scratches wounds of space, in the slapping of liquid material cut from the light, you can see the special relationship enjoyed with the pure and primitive intuition of the spirit remains and insists a particular desire to move, overly emphasized and reaffirmed by the term "Darshan", a word-driving and last fount of the entire production Benassi.
The Sanskrit root of the lemma encompasses multiple meanings, generally related to the sphere of vision, the revelation, revelation; Hindu theologies are also games from that suggestion to create an entire system theoretical result of different points of view.
Benassi tends to almost draw a parallel and overlapping identity between himself and his source of inspiration, an artist / darshan, hybrid form and mystery that recovers and recreates fragments of visionary evanescent and metamorphic rocks.
The result is that color impressions can be traced back to the universe Earth as much as to the heavenly sections of unicellular microorganisms as well as views of fractals lost in space.
What remains is the total renunciation of the ordinary in the need for other forms of the infinite.
Do photography means making a continuing review of all the values of visual knowledge: writing is in the form of light that uses a means sensitive to the vagaries of weather, optical reflections, forms in free movement in space.
Knowing that through tame - that car - it means, the work of Giulio Limongelli, let accompany and assist in the recognition of its own visual world, a poetic modulation in which the image is direct contact of the idea.
The photo of the artist - that does not seem to have lost some practice technique, literally "artisan" in the construction and production of the press - keep intact the two main faculties belonging to the vision: to observe, verify the reality, along with the unknown deception and illusion.
His landscapes as reflections create new forms, inconsistent, produced in the fascination of a look that reflects a momentary recording perceptive and never repeated.
The similarity of light with light, its draw shapes by contrast, by default, going to waste optical transforms the appearance of nature in a renewed visual knowledge: the lying landscapes in black and white - never silent and motionless - as well as the details, the details of combinations of objects create aesthetic resonances, in the direction of a language that rewrites the appearance of the invisible and get used to the visible imagery.
The measured time of waiting, the space left within which the viewer to perceive the optical construction of the artist and modulate it according to his or her personal capacity synthetic form of photography Limongelli idea catalyst of ideas, paradigm of endless metamorphosis.
The logic of the composition precedence above all else, the choice of the image - apparently simple - conceals strict attention to the balance of forms in space.
On this premise seems to stand painting Antonella Incorvaia, which disappears within the hierarchy of values among the various elements of the representation: if the cuts of set or close-ups tell us the principle of the action that is about to happen, the backgrounds, "scenes" of the framework will complement the narrative taking - in fact - of equal importance of the protagonists.
This is a research line, shape and color of the painting that becomes absolute principle: the space - saturated and released at the same time - is a real expressive figure, a veritable visual language.
It is here, in particular, that you can see the second of the central themes that inform the artist's poetics: the story. Every picture, every face, every situation becomes a pretext narrative, almost the first reference from which to develop and complete power then - amplifying the mental dimension - the deeper meaning.
The artist leads us through an itinerary of places that recall fragrances and flavors, faces as snapshots of a cinematic story crossed by the time "inside" of the narrative, as well as from the "outside" historical and diachronic.
An ideal geographical location even before the mind, in which Antonella Incorvaia turns out - from time to time - new variations and unusual modulations.
The painting in his native literally becomes a stimulus of suggestions, evokes memories rekindled by a kind of universal memory, both personal and collective leads to even synesthesia, the moment you hear the sound of the color, the image speaking of which the visual appearance is only one of different and more ways to enjoy the painting.
The journey gives us time and time remains.
Alberto Gross
Critique:
Presentation by Alberto Gross Critic
Sponsored by:
www.virtualstudios.it
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
www.lavoriedilionline.it
Duration of exhibition:
from May 25 to June 6, 2013
from Tuesday to Saturday from 11.00 am to 19.00 pm
Sunday and Monday closed.
Free admission
Mail: info@wikiarte.com
Site: www.wikiarte.com
Comments 4
Say something