Exhibitions, Italy, Bologna, 11 February 2014
The Gallery of Contemporary Art Wikiarte
Via San Felice 18 - Bologna
Is pleased to invite you
Tuesday, February 11, 2014
18.00
the inauguration of exhibitions of
MARIO ESPOSITO
MAXIMUM RENZI
STEFANO Manzotti
PHILIP Guicciardini
Mario Esposito :
An object of vast size , a large set of associations linked together by the mutual force of gravity ..... The definition of a spatial phenomenon is transformed into the description of a creative . The pictorial universe of Mario Esposito , in effect, ranges from the micro to the macro stellar dust particle agglomeration of stars, combining all the vital dynamics of color. The visual perception of nerve signals that the retina sends to the brain when it absorbs different wavelengths of light could be just an illustration of a biophysical process , but since the human being is conscious contact between this view and saw catalyzes , as well as the psychic process , a whole emotional world . The sensitive action , morals, ethics and aesthetics of color and therefore its sentimental and subjective aspects , become a sine qua non for the art world , struck by the great Goethe's Theory of Colours . Evident that this is not just a pure physical phenomenon , the tones become something alive , which originates in nature, but that is realized in the mechanism of vision . Loses importance the great question between the white that breaks down in the color spectrum and the pure black which is composed of the sum of the same. The emphasis is definitely on the latent power of an element that can exist only in the moment of encounter and interaction between man and the outside world.
Massimo Renzi :
The Joys of Young Werther
A man trained by the rules will never do anything absurd and bad , like someone who is modeled on the laws of good manners will never be a near unbearable, nor will it become a true villain , but all the rules, you say what you want , destroy the true feeling and true expression of nature.
A quote from Goethe , a quote of his most romantic novel , The Sorrows of Young Werther , is the first step in addressing the artistic work of Massimo Renzi, a painter who discovers the painting as an autodidact and then maintains " the true expression of nature" .
There are several roads that depart from the work of Renzi. One of them follows in the footsteps of Friedrich and Turner, of Romanticism in the late eighteenth century, with dreamlike landscapes engulfed in clouds, but also the colors of Veneto , soft and fluffy , Tranquillo Cremona and all manner of disheveled ' Impressionism at the end del'800 ours . Another way is the personal vision of nature , the greatest muse of every creative mood . The streets run parallel and mutually reinforcing , where the first door to the skill and experience the uniqueness of the second talent.
Colors clear and bright, bold landscapes are the result of the externalization of the best feelings ever interpreted the words of Goethe :
There is pure joy in the world and as warm as that of seeing a great soul that opens to us.
Renzi uses 13 colors and shades in their range in order to obtain complementary shades .
Stephen Manzotti :
L ' seductive image of a painting is expressed through a multitude of information that create sensory connections in the user enjoys optical experience , but even before the translator- artist in an inner vision that emerges as a fusion of lava outside , compressing every particle of form and color in the painting, and if you share the thought of R. Arnheim that art is something that helps us in times of trouble and is a tool that helps us understand the human becoming, so to cope with the horrific aspects of these conditions is that the creation of this image filled with a dense order of meaning offers a retreat from the unbearable confusion of external reality .
One evening I saw her alive on a small chair a body without a head violin and asked me , with its wooden heart , drinking and smoking a pipe . He was ready and waiting impatiently to be portrayed in its functions , calmly and proudly , clothed in those days of sitting in the studio.
Filippo Guicciardi
Everything is a function of the movement, of a dynamic conception of the image that is jumping , vertigo and revolution .
The particular technique used by Filippo Guicciardi is the result of successive and progressive stages of assembly , composition proactive action that occurs over time and space opera. The image is left free to move with the imaginative and creative visionary observer, which plays a role not inferior, but parallel and equal to that of the artist in the design aesthetics as well as the formal completion of the artwork. there is a chronological time , measurable , each landmark drowns and gets lost in the flow of a continuous dynamism which recounts the deeds of a passage without beginning and without end .
Going further, the picture becomes a simulacrum , objective correlative of a four-dimensional plane within which to amend Directives and the textual apparatus of the object.
What is shown is not what it is , and vice versa , because of a visual interpolation intended to stand out - strengthening it - the mystery of the circular flow of existence.
criticism:
Presentation evening by Alberto Gross
Curator of the exhibition:
Deborah Petroni
Sponsored and advertised by:
www.virtualstudios.it
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
www.lavoriedilionline.it
Duration of the exhibition:
from February 11 to February 27, 2014
from Wednesday to Saturday from 11.00 to 19.00 hours continued
Sunday and Tuesday from 15.00 to 19.00
and closed on Mondays .
free admission
Info and contacts :
Mail: info@wikiarte.com
Site: www.wikiarte.com
Via San Felice 18 - Bologna
Is pleased to invite you
Tuesday, February 11, 2014
18.00
the inauguration of exhibitions of
MARIO ESPOSITO
MAXIMUM RENZI
STEFANO Manzotti
PHILIP Guicciardini
Mario Esposito :
An object of vast size , a large set of associations linked together by the mutual force of gravity ..... The definition of a spatial phenomenon is transformed into the description of a creative . The pictorial universe of Mario Esposito , in effect, ranges from the micro to the macro stellar dust particle agglomeration of stars, combining all the vital dynamics of color. The visual perception of nerve signals that the retina sends to the brain when it absorbs different wavelengths of light could be just an illustration of a biophysical process , but since the human being is conscious contact between this view and saw catalyzes , as well as the psychic process , a whole emotional world . The sensitive action , morals, ethics and aesthetics of color and therefore its sentimental and subjective aspects , become a sine qua non for the art world , struck by the great Goethe's Theory of Colours . Evident that this is not just a pure physical phenomenon , the tones become something alive , which originates in nature, but that is realized in the mechanism of vision . Loses importance the great question between the white that breaks down in the color spectrum and the pure black which is composed of the sum of the same. The emphasis is definitely on the latent power of an element that can exist only in the moment of encounter and interaction between man and the outside world.
Massimo Renzi :
The Joys of Young Werther
A man trained by the rules will never do anything absurd and bad , like someone who is modeled on the laws of good manners will never be a near unbearable, nor will it become a true villain , but all the rules, you say what you want , destroy the true feeling and true expression of nature.
A quote from Goethe , a quote of his most romantic novel , The Sorrows of Young Werther , is the first step in addressing the artistic work of Massimo Renzi, a painter who discovers the painting as an autodidact and then maintains " the true expression of nature" .
There are several roads that depart from the work of Renzi. One of them follows in the footsteps of Friedrich and Turner, of Romanticism in the late eighteenth century, with dreamlike landscapes engulfed in clouds, but also the colors of Veneto , soft and fluffy , Tranquillo Cremona and all manner of disheveled ' Impressionism at the end del'800 ours . Another way is the personal vision of nature , the greatest muse of every creative mood . The streets run parallel and mutually reinforcing , where the first door to the skill and experience the uniqueness of the second talent.
Colors clear and bright, bold landscapes are the result of the externalization of the best feelings ever interpreted the words of Goethe :
There is pure joy in the world and as warm as that of seeing a great soul that opens to us.
Renzi uses 13 colors and shades in their range in order to obtain complementary shades .
Stephen Manzotti :
L ' seductive image of a painting is expressed through a multitude of information that create sensory connections in the user enjoys optical experience , but even before the translator- artist in an inner vision that emerges as a fusion of lava outside , compressing every particle of form and color in the painting, and if you share the thought of R. Arnheim that art is something that helps us in times of trouble and is a tool that helps us understand the human becoming, so to cope with the horrific aspects of these conditions is that the creation of this image filled with a dense order of meaning offers a retreat from the unbearable confusion of external reality .
One evening I saw her alive on a small chair a body without a head violin and asked me , with its wooden heart , drinking and smoking a pipe . He was ready and waiting impatiently to be portrayed in its functions , calmly and proudly , clothed in those days of sitting in the studio.
Filippo Guicciardi
Everything is a function of the movement, of a dynamic conception of the image that is jumping , vertigo and revolution .
The particular technique used by Filippo Guicciardi is the result of successive and progressive stages of assembly , composition proactive action that occurs over time and space opera. The image is left free to move with the imaginative and creative visionary observer, which plays a role not inferior, but parallel and equal to that of the artist in the design aesthetics as well as the formal completion of the artwork. there is a chronological time , measurable , each landmark drowns and gets lost in the flow of a continuous dynamism which recounts the deeds of a passage without beginning and without end .
Going further, the picture becomes a simulacrum , objective correlative of a four-dimensional plane within which to amend Directives and the textual apparatus of the object.
What is shown is not what it is , and vice versa , because of a visual interpolation intended to stand out - strengthening it - the mystery of the circular flow of existence.
criticism:
Presentation evening by Alberto Gross
Curator of the exhibition:
Deborah Petroni
Sponsored and advertised by:
www.virtualstudios.it
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
www.lavoriedilionline.it
Duration of the exhibition:
from February 11 to February 27, 2014
from Wednesday to Saturday from 11.00 to 19.00 hours continued
Sunday and Tuesday from 15.00 to 19.00
and closed on Mondays .
free admission
Info and contacts :
Mail: info@wikiarte.com
Site: www.wikiarte.com
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