Exhibitions, Italy, Bologna, 14 March 2015
The Contemporary Art Gallery Wikiarte
in Via San Felice 18 - Bologna
Is pleased to invite you
Saturday, March 14, 2015
18.00
All 'inauguration of solo exhibitions:
ANNA VASILE
MASSIMO RENZI
VITO Giarrizzo
ANNA VASILE - Artist Bari, lives and works in Bologna. He studied decorative painting at the Institute d 'Art
and the Academy of Art in Bari. In the years of activity, since 1972, has participated in numerous
collective, held one in Italy and abroad and illustrated several books. His paintings and sculptures
are published in catalogs, books and art magazines. Versatile and multifaceted artist, Anna Vasile in its
protean activities' creative tactics painting, experiencing it in all its potential
technical and expressive; and also 'paid to drawing and sculpture. In his work explores reality
Two-dimensional and three-dimensional, using the female figure as a link to a poetic animist,
sometimes sensual and magical, real evocation. There are many themes of his creative work: the vision
of an inner energy as a truth of feelings, the expression of the desires linked to the unconscious,
the exploration of matter as strengths or weaknesses of nature, the survey on the rhythms of the pictorial gesture and
the balance of the design as a vibration of light and shadow; simply put the focus on the "beauty"
the things of the world. From the study of his compositions emerge artistic identity dynamic and lively,
nourished by all the tensions that characterize the language of contemporary art. In his creations is
can recognize different ways of understanding the creative instinct as a pure "Incanto Emotional", in which
much reality as the dream become true. "Refuge"! Here that his painting becomes a kind of
private deed able to explore unconscious movements of intimate experience. The Art of Anna, in fact, is immersed in
depth of being and 'body to sensory perceptions that belong to the fascinating and mysterious
female universe that celebrates through portraits of women. In his oils, therefore, the figure is the means of
this atavistic memory: imposes itself as real data in the space of the composition, filling it with
the immediacy of the image and the evocative power of color. Attendance tangible and carnal, caught in moments
of intimate and familiar atmosphere. In these works, Anna expresses her message that is ongoing
like all his inspiration: the work of figurative art born to new life by meeting the interpreter or
the observer which can prove. In this sense the creative engagement of Vasile, conscious and coherent,
chose the dexterity of the drawing and the sensory relationship with the surface of the canvas and the color as
through a 'experience that settles the art in person. (Art critic Dr. Rosanna Mele)
MASSIMO Renzi - Born in Corinaldo (AN) January 30, 1968.
As a child shows an inclination for drawing, noticed by his first master painter
senigalliese Giorgio Ciacci, who will try to lead them to appropriate studies at institutions to address
artistic. After graduating instead Technical Institute "Corinaldesi" Senigallia, keeps alive the passion for
art by continuing to draw, preferring as technical charcoal and pastel.
The themes developed in those years are sought in the sensitivity of a soul in contact with nature by finding
insights into the landscape that surrounds it. In 1999 he decided to use as the oil painting technique. born in
these years the first attempts to relate, through the new subject, the light with color.
Still lifes, landscapes are designed trying to give light and volume through fields of color pure
juxtaposed between them. In 2001 he decided to get in touch with the teacher and painter Piergiovanni Antici,
thus starting a constant exchange of thoughts on the art of painting.
Deepens in the meantime the study of the effects of composition of graphite as raw material while maintaining
prime the oil painting. Currently studying and working in Senigallia.Un refined dialectical relationship between
shadow and light, a vivid alternation of prose and verse in an open concept of total poetry in which
realism and idealism do not conflict, but intertwine and complement. The painting of Massimo
Renzi could identify in a special synthesis of many of the vital reasons of a universal romance,
an anthology of visual hypotheses that reflect the reality in the mirror of a spiritualism restless, reverberated
and multiplied by a deafening silence, authentic element of tension and fitting forces.
The colors chased at times short and close to taches - the "spots" so dear to much of the painting
Impressionist - seem the result of extensive debate on all matters related to the theory of vision,
Treaties scientific Eugène Chevreul even the most modern insights of kinetic art: harmony
perception resides in a kind of "immobility iridescent", a movement just suggested and almost
supersensible, capable of leaving behind the distances traversed the trail of light in the universal sense. painting the
light in itself, regardless of the objects on which it expands, Renzi leaves continually more
and renewed possibility to the eye, the intuitive ability to interact and historically alchemical
different elements creating new ones at each successive moment of perception: the picture then becomes
the ideal stage where the romance classic is produced in an eco opera, by clear and legible
immaterial, the instance poetry that finds space in the conviction of a transcendent reality, accurate
suggestion by vivid symbolic language and valuable. A substance sailing the atmosphere of the painting, a
element found between sensation and perception: the intensity brilliant "illimita" image, exceeds
boundaries of the framework to translate into breath, spirit, consciousness. Visible and invisible world remain separate
by a very narrow threshold, the speed of thought advocates the idealization of the finite, but the realization
infinity. (Art critic Albert Gross)
VITO Giarrizzo - Born in La Spezia March 6, 1940, he began to draw and paint very young.
He attended the Art School of Carrara and later the University of Florence, where in 1970
graduated in Architecture. From 1974 to 1989 he taught at the Art School and the Art Institute of
Florence. He made several work experiences as well as in Italy, traveling in the Middle and Far
East, Europe, Africa and Central America, supporting the professional activities of an architect, work
Artistic Painter, who plays more than forty years. His artistic research is focused on the condition
Man and the various aspects of life and the environment of our planet. While attentive to the various movements
of contemporary art, gives a critical review and experience different languages in full freedom,
independent of isms and recurring trends, developing its own original vision of making art.
Currently operates in Italy, based in Bologna. Of greatly interesting this painting
that he looks like interprtetazione still to go to the end of the modern.
What typically is criticized, and sometimes rightly, to contemporary painting is some
thematic and stylistic monotony, so the output is made from modern, and that's fine, but you can not
then ask where it landed. Here, perhaps about the use of distance and sobriety of which
spoke before, you stop right on the doorstep with a studied decision, questioning tirelessly (
rightly and in obedience to his poetry, Giarrizzo is in constant activity) on roads to travel,
about variants to be made, on the persons who may have better license of expression.
The beginning of the twentieth century has been dramatic, with its movements, its big names, the innovative and
revolutionary, the rich prospects of possible heirs, the ingenious distortions of form and
color. And this beginning from a certain point of view could (and has been) be interpreted as an end,
end of art, the end of the possibilities of expression.
Like here close by recalling that a French poet talking about Leonardo da Vinci said that if he
found in front of an abyss he would have to think about how to build a bridge.
Possibility active and dynamic, therefore, construction, settlement situations, all without ifs, ands
but. It parva licet componere magnis, Giarrizzo must have had a similar intuition and just from
architect ("bridge builder"). The great art of the twentieth century has given its results and suggested if not
imposed the break not only with the ancient canons but also with those of the modern. Also giving origin, it
knows, that movement which passes under the name of postmoderrno. And if you tried to continue those
large signs without irredeemable ruptures, rather, if anything, thinking and trying out new steps,
of unpublished transitions and perhaps transactions? And 'likely Giarrizzo have thought of this or
something very similar. Besides the use of the forms and content of suggestions can not take it
that in this direction. (Adapted from text by Gregory Scalise)
Display:
Dott. Giorgio Grasso
Curator of the exhibition:
Deborah Petroni
Sponsored and advertised by:
www.genzianariccicomunicazione.it
www.ilpensieroartistico.eu
www.paolobalsamo.it
Duration of the exhibition:
from March 14 to March 26, 2015
Wednesday to Saturday from 11.00 to 19.00 with a lunch break
Tuesday and Sunday 15:00 to 19:00
closed Monday
free admission
Info and contacts:
Mail: info@wikiarte.com
Site: www.wikiarte.com
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