Exhibitions, Italy, Milano, 13 June 2017
Artist who lives outside the usual channels of the art world, Paul Lord is defined as a "underdog" in this sector, the "disadvantaged" who claims or rather is a "late" artist as defined by the magazine "A Levante" , Who, despite having taken up artistic activity at maturity, can prove that it is never too late to follow their dreams!
To demonstrate all this is the fact that in such a special moment in which critics and gallerists often tend to propose an incomprehensible and essentially little communicative art, he prefers to go against the current by pursuing a quest to retrieve the role Emotional and sometimes the social function that art has always possessed ..
He is much appreciated by the public who has supported him in competitions such as Artrooms (ranked 3rd among the most voted by the public with 837 preferences) and the Adrenaline Project Award (Lord of the Year Award), considers art not as mere representation of elements, figures Or color splashes but rather as a tool that can evoke sensations, investigating the depths of the human soul in order to trigger a dialogue between an artist and an observer that goes beyond individuality, becoming a message to humanity!
Light, vibrant color and chromatic contrasts form the three hinged elements of Paolo Lord's paintings, a painter from various souls, moving from lively, sometimes violent, no interest in naturalism, abstract as in figurative, bicyclic compositions played on Black and white or contrast to strong colors ..
His works capture the observer, attract him into the canvas by transporting it to another dimension, on a beautiful journey between the unconscious and the reality where the latter is forced to free himself from all the chains that perpetuate his own existence, huddling in A brave flight to life.
An illustrative example is given by one of the most esteemed paintings by critics and audiences
Bataclan in which the artist presented what should be his attitude to art in the events that characterize today's era.
Lord for some time, in fact, is a supporter of art as a tool to tell about contemporaryity; To describe the world and the phenomena of reality without judging them from a moral point of view, recapturing, on the other hand, the role of art as a tool of impact and vision of the real world. This idea, which could easily be transformed into a new artistic movement, from a strictly technical point of view proposes a style that stresses chromatic and form contrasts, producing a harmonious effect to stimulate emotions. Contrasts like the ones we live in this precise historical moment and that produce strong emotions and feelings that must also be explored through art. This personality will therefore not only be an event aimed at making the Lord's art known to an ever wider audience but above all an opportunity to mark a breakthrough in what we might call the "fairyart", increasingly growing, aesthetically " Cute "and technically perfect but often avoided by the context in which we live.
Supporting Paul the Lord will thus be 'a way to carry on a' living 'art idea: art as a means of denouncing, as a means through which to express their feelings, an art able to dialogue with society.
To demonstrate all this is the fact that in such a special moment in which critics and gallerists often tend to propose an incomprehensible and essentially little communicative art, he prefers to go against the current by pursuing a quest to retrieve the role Emotional and sometimes the social function that art has always possessed ..
He is much appreciated by the public who has supported him in competitions such as Artrooms (ranked 3rd among the most voted by the public with 837 preferences) and the Adrenaline Project Award (Lord of the Year Award), considers art not as mere representation of elements, figures Or color splashes but rather as a tool that can evoke sensations, investigating the depths of the human soul in order to trigger a dialogue between an artist and an observer that goes beyond individuality, becoming a message to humanity!
Light, vibrant color and chromatic contrasts form the three hinged elements of Paolo Lord's paintings, a painter from various souls, moving from lively, sometimes violent, no interest in naturalism, abstract as in figurative, bicyclic compositions played on Black and white or contrast to strong colors ..
His works capture the observer, attract him into the canvas by transporting it to another dimension, on a beautiful journey between the unconscious and the reality where the latter is forced to free himself from all the chains that perpetuate his own existence, huddling in A brave flight to life.
An illustrative example is given by one of the most esteemed paintings by critics and audiences
Bataclan in which the artist presented what should be his attitude to art in the events that characterize today's era.
Lord for some time, in fact, is a supporter of art as a tool to tell about contemporaryity; To describe the world and the phenomena of reality without judging them from a moral point of view, recapturing, on the other hand, the role of art as a tool of impact and vision of the real world. This idea, which could easily be transformed into a new artistic movement, from a strictly technical point of view proposes a style that stresses chromatic and form contrasts, producing a harmonious effect to stimulate emotions. Contrasts like the ones we live in this precise historical moment and that produce strong emotions and feelings that must also be explored through art. This personality will therefore not only be an event aimed at making the Lord's art known to an ever wider audience but above all an opportunity to mark a breakthrough in what we might call the "fairyart", increasingly growing, aesthetically " Cute "and technically perfect but often avoided by the context in which we live.
Supporting Paul the Lord will thus be 'a way to carry on a' living 'art idea: art as a means of denouncing, as a means through which to express their feelings, an art able to dialogue with society.
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