Biography
He explores two “languages” (painting and photography)together: the canvas become as black as negative films to expose, while photography turns to a conceptual and aesthetic approach, sooner than technica
In 2005, while he was working on digitally dematerialized images, his painting experiments with a new support: plastic. Thanks to the “old” painting technique, the image is now anchored to an artificial support, which shows its concreteness and its fragility comparable to a negative film.
The theme of urban spaces perception is dealt with by using synthetic materials (plastics painted by enamels), underlining the artificial and “authentically human” elements of the metropolitan experience.
The subject and its duration become expressive figures of an artistic language that it oscillates between immediate instants and patient techniques, photographic atmospheres and immediate brushstrokes; procedure done employ for the first time in 2007 in the experience of the painting performance, inside the theatrical show E,ù carestia? of B.Sicca
