Biography
The Santissimi work (in the name of Antonello Serra and Sara Renzetti) looks at the art as an operational machine in which to cross, staying, the forms more or less accomplices of the knowledge, that, they are, more comfortably, reflected in the definition, of: "philosophical empiricism in the art". Philosophical empiricism means putting into practice the knowledge, to perform an operation of thought, or to be more precise translate into visual terms, linguistic and conceptual thinking in scientific and philosophical matters. As the philosopher analyses the knowledge in its most theoretical, describing and analysing the more purely 'technical-intellectuals’ forms, in the poetic of Santissimi the appearance of that knowledge is put on stage in the work of art, practiced in the work of art (a collection of potency and act), crossing the words and games that are hidden behind the shapes of knowledge. The same poetic has never declared a poetic but it emerges digging the poetics of the wait, the attention, the fear and the mystery “beyond the borders of the knowledge.”.. The process that is lived in the work of the Santissimi, in making use the work, manifest through the sign of the detection, so that: the attended one is defeated by the unexpected one, acting corresponds to be acted and the joys of the delivery are finally the parentage of the work.
