Biography
Natalie Lamotte painted for 20 years. Although having studied fine arts, she has taught painting as an autodidact, which means she has tried her own without advice from a teacher, materials and techniques, mixing and gestures. It was, initially, sought to capture a dream world it has also to see up close. African evocations are the essential basis of his early works. It shows a scrolling manner to both separate and free of animal heads, masks and landscapes, scenes and invented forms overlays that give his works sometimes look like large collages light and cheerful.
The years ninety, however, are marked by a deepening of the work on color, movement toward abstraction or at a distance from the reproduction of forms found in reality. The gesture is full, the funds become darker and more vibrant colors, playing with each other contrasts. There is a kind of slow dissolution in the visible chaos colorful as it mattered less and less for Natalie Lamotte reporting of actual or give the viewer's eye sparkle forms might still recognize. What one discovers and perceives it as a future open to her now is that the radical abandonment of reason, the bracketing of the game with the colors, are not losses, but those opening on a deeper mystery.
The color becomes available in the form of equal freedom that makes the gesture was also compared to the form. But it means form in this case? The form is simply a translation of something that the brain has already registered and it is therefore to recognize.
The painter who works with recognizable forms, in fact, offers the viewer a moment of pleasure since it is assured of being there at the end of his term on the canvas. Decrypt a table, dive into its complexities, is an operation that takes time with these protections are the things, these forms known.
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