Biography
I am an architect, but I've never worked as one. It seems that legally I could build everything from a house to a skyscraper, even an island. For years I've been studying codes, regulations, draw plans, a lot of plans ... I realized that a line could mean the good or the bad (pass or fail) and that this sequence of points was something purely subjective.
My work attempt to yield in those individuals, architecture converts reality into fictional elements by plane, as does literature throughout the text.
I use those encodings to generate devices when they contact with the spectator activating an event, a trip where each suggested reading is different. I give main importance to the imaginary and winding of the mental composition into the space, allowing multiple compositional structures . The spectatoris the one in charge of ordering,buildand design according to the narrative, the shown or the described.
My owm focus of action is often all that surrounds meas "fantasy always comes from the everyday" (Cortázar). I often use common knowledge systems to transfer then into a personal dimension, which is mess up to reorder, break to recompose, showing the absurdity of what seemed certain.
A long process where I pursue, at least figuratively, the possibility of workingon codes hidden behindthe walls.
1: Julio Cortázar. Evelyn Picon Garfield interview, Mexico, Universidad Veracruzana, Journal of Critical Text. 1978.
